Sunday, November 3, 2019

Indian pop singers at crossroads:
(Written by Vijay Bhatt: Written November 3, 2019 for Blog Navraas)
As a passionate music lover I listen to /watch Indian Idol 2019 auditions which just finished and selected top fifteen candidates. These fifteen and the most who could not make it to the top 15, have amazing talent and highly skilled voice. Some are formally trained and some are informally trained without any structure. Some 'just sing' but they sing better than many long trained music students. It is simply mind boggling to comprehend and relate to how did these youth acquire such mesmerizing craft of performance and art of vocals. Their family background is so unassuming. Most of them come from non-musical families where they did not have any family traditions of music training. It is their pure passion for music that inspired them to pursue and take a shot at stardom.

Among the fifteen is a 'second innings' player Azmat. Azmat was the winner of SRGMAP 2011 when he was only eight years old. After the win, during his early teens he got drifted to wrong habits, now recovered edict is making a strong second come back! I could not sit on chair while he was singing.

Another contestant, a boot polish/kobler worker Sunny, is an almost reincarnation of late Ustad Nasarat Fateh Ali khan saheb. Sunny was born in 1998, the year after Ustad Nasarat Fateh Ali khan passed away in 1997.So theory can hold for believers in such reincarnation!. This singer brought judges and TV audience like me in tears! I can go on and on about all fifteen.

Each contestant already looks stronger than the other for the top spot.

While seeing this ocean of musical talent one may think what is hidden future for these brilliant God gifted angels. This thought led me to review last several years' top contestants and winners. I did some research about what are they doing nowadays. To my disappointment, most are struggling just as before. Some have joined other reality shows. Some have been touring to US and UK to cash-out before their names fade in the long alap of history ( Bada khayaal, making a pun!) . Some have joined chorus. Some joined Gujarati Dandia/Garba or other bands. Some go to wedding parties to perform. The list is not impressive at all from the point of view of their original dreams. They had dreams of being at the top pinnacle of music world, and APNE MA BAAP KA NAAM ROSHAN KARU, or getting a lot of money for financial independence. As we remember most of them had expressed such ambitions to uplift their poor families, make them proud and make a name!

My further research revealed that stars of not much distant past like Sonu Nigam, Shaan, Shreya Ghoshal era have almost lost their dominance and though they are still loved by film music lovers, many of them do not have any major albums, or film songs recently. They also are struggling and literally beg to be a judge, or a guest at some reality shows to stay in public eye and not be forgotten.

This led me to conclude that though Indian music is truly blessed with exponential talented singers the side effect is that unlike old days where Mukesh, Kishore kumar, Rafi saab, Lata ji, and Asha ji had total dominance over Indian film music, is a tale of history. Flood gates are open. The tremendous flow of talented artists are at the disposal of audience acceptance. A typical career life span of a popular singer is not more than five years at most, with some exceptions. Audience have choices. This is very similar to the Hollywood and western music Industry where the record artists may make big or fade away.

I think Bollywood film music Industry will not be the only source of Indian pop music anymore. Due to social media outlets like YouTube, artists have already started noticing the paradigm shift. Many have already started exploring their consumer base outside Bollywood films playback singing. 'Survival of the fittest and Struggle for existence' applies here too, actually more so!

(Written by Vijay Bhatt: Written for November 2019 Blog Navraas)

Saturday, September 21, 2019

Review of Indian Movie: Notebook: Review written by Vijay Bhatt for Blog posting Sept 21 2019.
 (Please note that there is also a Hollywood movie with similar name 'The Notebook')
Notebook is produced by Salman Khan Films and is directed by Nitin Kakkar after his much applauded directorial debutant film Filmistaan.
The film  marks the debut of Pratunan (as Firdous), daughter of actor Mohnish Bahl and granddaughter of yesteryear actor Nutan,  and  launch of Salman Khan's childhood friend's son Zaheer Iqba (as Kabir) in lead roles.

This movie is an adaptation of an acclaimed  Thai film – The Teacher’s Diary released in 2014.


The protagonist Kabir takes a job after his army service at a school in rural isolated area of Kashmir where there was very little population, only seven kids-students, and not enough school related facilities and the only way of transportation is small boats.Kabir accidentally finds a notebook/ diary in a drawer, left by the previous female teacher, Firdaus(Pratunan).  He starts reading her diary and evolves in his situation. He gets drawn towards her and falls in love with her even without meeting her. The story evolves very slow and finally both Firdous and Kabir meet at the time of climax. The movie  leaves us with the imagination that their chemistry must be romantic, though witnessed few glimpses of it.

The director of the film and the screenplay writers who adopted this story from the  Thai film, could have done a better justice to such an extraordinary and original plot. Unfortunately both fell little short!. It gave me a feeling like I had an appetite for a good gourmet cuisine and I got to eat very delicious finger food appetizer and am told that my dinner is  over..!

If I have to rank, I would rank the Thai film’s plot for its originality as the best. Second best is the cinematography by ManojKumar Khatoi,who used the beautiful backdrop of Kashmir in a very serene and spectacular way without the stereotype terrorism visual narration. Next, are the kids and the lead role actors. The music could have been better to enhance the effect. Overall 5/10.
Review of Indian Movie: Notebook: Review written by Vijay Bhatt for Blog posting Sept 21 2019.

Monday, September 9, 2019

Review of Hindi Movie: 102 Not Out: Review written by Vijay Bhatt for Blog posting Sept 2019.

Review of Hindi Movie: 102 Not Out:
Review written by Vijay Bhatt for Blog posting Sept 2019.
May be I am one of the last ones to watch this movie, but I am glad I could. This movie is based on an acclaimed Gujarati play with the same title written and directed by a noted contemporary Gujarati poet, playwright Saumya Joshi, who also wrote the film's screenplay and dialogues while the movie direction is by Umesh Shukla.
Its a pleasant surprise that two heavy weight stars of Bollywood would endeavor such a movie. Yes, Big B and Rishi Kapoor are in lead roles as a 102 years old father and a 75 years old son, respectively.
Typical mainstream Bollywood movie fans should not waste their time for this movie. However, if you enjoy stage plays in theaters, like NATAK, you will appreciate well spent 1 hr 42 minutes and would recommend to others.
The message is about living life fully and enjoy with fun and strength without being crippled due to natural aging. The plot is very innovative where the old father of 102 is younger at heart compared a 75 years old son, both widowed, living together in the ancestral home.
The old man threatens the son that he must meet certain conditions if he wants to avoid being kicked out of home to an elderly home. Funny it is unlike contemporary Indian social issue where old parents are at the danger of being kicked out of home.
The conditions unfold interestingly, though not fully realistically, that brings the fulcrum of the movie to two very intriguing issues, which I will not mention for the fear of stealing the thunder and the interest in the movie.
Both stars acted enjoyably and well as if they are acting on the stage rather than in typical Bollywood movies which is worth applauding.
Director Umesh Shukla's challenges and efforts are minimized and so is his directorial scope because of the innovative plot, good screenplay, and apt dialogues by writer Saumya Joshi while the two good actors carrying the movie. The dialogues have entertaining Gujarati cultural accents.
A different type of movie, worth watching with family; which will leave you with some interesting thoughts.
I give it thumps UP!.----
Review of Hindi Movie: 102 Not Out:
Review written by Vijay Bhatt for Blog posting Sept 2019

My New Year's Resolution: Written by Vijay Bhatt

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Renting a book or a movie

My thoughts: - Vijay Bhatt
I remember it was a great pleasure to go to a Video rental store.. spend 20 minutes deciding which movie to rent, bring the box-case to the cashier and learn " All copies are out, sorry! " Spend another 10 minutes to look for something.. and a guy walks in to return the movie you are looking for..! you get it.. feels good. You spent 1 hour to acquire a movie to watch for 115 minutes! Started the movie did not like it, ended up watching on TV PBS presentation of Nova!
Last weekend spent much of quality time on a Netflix movie recommended by a friend, after first 15 minutes- stopped it, we did not like it. Moved on to another recommended movie.. did not like it either.. finally, watched a documentary about Universe and Galaxies. Thanks for those recommendations we got enlightened instead of being entertained!!
Even in the times of Netflix the challenges are the same, the technology changed!
Do you think paper books will disappear after a decade? Just as what happened to VHS cassettes, CD, audio cassettes, DVD? Same will happen to paper books?
Going a local library or to Barnes and Noble and smell books is still a treat!
-Vijay Bhatt

Manto

MANTO ( available on Netflix) a film depicting life of Saadat Husan Manto, a writer/poet who had to migrate to Pakistan from Mumbai. His anguish against the partition of India and divisions among people. Very well made movie by Nandita Das. Serious backdrop and serious viewing. This film won many International film festival nominations and few awards. Well made, good literary references, but at times very intense.

Map of World languages

And we complain!

Review of a Gujarati movie Reva: ( Written by Vijay Bhatt for Blog Posting July 2019):

Review of a Gujarati movie Reva: ( Written by Vijay Bhatt for Blog Posting July 2019):
Finally, I got to watch a well-received Gujarati movie Reva.
Reva is based on TATVAMASI (तत्त्वमसि), an acclaimed novel by one of the finest poets and writers of contemporary Gujarati literature, Dhruv Bhatt. I had read Tatvamasi years ago. I loved the novel’s the spiritual, cultural, mystic, and social undertone. It is one of the remarkable Gujarati novels of recent times.
The screenplay is written by and directed by Rahul Bhole and Vinit Kanojia. Music by Amar Khanda, Cinematography by Suraj C Kurade.
The movie makers must have their own reasons to change the name to Reva, meaning river Narmada. I would have kept the same name as that of the book’s- ‘Tatvamasi’. तत्त्वमसि means (तत् त्वम् असि) – That is you!, It has many meanings and connotations like - it is very near you, in you, It is right near in you, right around and in you. The title tells a lot!
The movie is focused around river Narmada's mystical and spiritual connection with people who consider her as holy and most sacred form of divine mother and Goddess. They feel her blessings and presence with them all the time and within them. The movie is about conflict between mystic faith and non-religious rational thinking of a youth of modern times. The protagonist, rightly due to his background, is a typical young material minded capitalistic NRI who wants his claim on inheritance left by his grandfather. His grandfather has left all estate to a spiritual charity called Narmada Ashram, which is run by trustees. He comes to India to get signatures of the trustees so he can get the inheritance. The story is about his experience, transcendence, and realization of Reva on the banks of Reva. He witnesses and experiences unconditional love, faith, and dedication for divinity and virtual presence of Reva, the Goddess-like stature of river Narmada with the mysticism and spirituality around her.
There are few observations I must make. The film’s many non-Gujarati including a Gujarati singer Kirtidan Gadhvi, did good. Some important characters are non-Gujarati. At times, the female protagonist Supriya’s sari is relatively (‘BHAARI’- for the lack of a better word) fancy, and heavy necklace and ornaments look a bit odd (not a negative). Little simpler costume could have been more in-sync with rural set-up. It irritates when Gujarati actors emphasis SH, like in drama. Karan’s English pronunciations do not reflect his long stay in US ( not a negative).
Chetan Dhanani’s role as Karan carried very well for a debuting actor. Monal Gajjar as Supriya is worth admiring for her expressions and poise in her role. Acting of all characters including lead roles did very good justice to their characters.
We have always had low expectations of Gujarati movies due to the fact that for the last fifty years Gujarati movies have always been folk oriented and rural culture based of religious themes.
In contrast, this movie stands apart tall and laud!
I give a lot of credit to the original author Dhruv Bhatt for a brilliant theme of connection between human beings and the nature via the river Narmada and the connotation with PARIKRAMA.
Music is well done, having said that, the music director had an opportunity to make a big mark. Remember what Ismail Darbar did in Hum Dil De Chuke Sanam, which also had Gujarati backdrop. Imagine if Sanjay Leela Bhansali made this Gujarati film. May be more of Limbudaa, Dhol, Mor Thangaat and more! (just a crazy thought!)
Good cinematography, excellent direction, and justifying acting by all actors. A must watch! Please read Tatvamasi as well! I give 9 out of 10, especially because it is after all a Gujarati movie which stands out!
- (Written by Vijay Bhatt for Blog posting July 2019)

On World Poetry Day

On World Poetry Day
'Masks', by Shel Silverstein
She had blue skin,
and so did he.
He kept it hid
and so did she.
They looked for blue
their whole life through.
Then passed right by--
and never knew


On World Poetry Day
'Still I Rise', by Maya Angelou
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise


On World Poetry Day
'I Know Why The Caged Bird Sings', by Maya Angelou
The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill
For the caged bird sings of freedom


On World Poetry Day
'Variation on the Word Sleep', by Margaret Atwood
I would like to be the air
that inhabits you for a moment
only.
I would like to be that unnoticed
and that necessary

One Hundred Years of Jallianwala Bagh- What Tagore wrote in 1919

Indian Classical music based songs in Hindi films: A snapshot: by Vijay Bhatt:

Indian Classical music based songs in Hindi films: A snapshot: by Vijay Bhatt:
Let us take an overview of pure classical raag based music and songs in Hindi films. From western audience point of view all Indian films are called ‘musicals’. Rarely, one will find a Hindi film without songs. Having said that, the era of classical music based songs and scores in Hindi films is thing of the past!
Since 1940s Hindi films and Hindi film music have become a part of daily cultural element and interwoven part of life of an average Indian, unlike many other cultures where their own local films are seldom referred in daily lives. Indian film celebrities have much more spell over the populous, up to a point that they become role models and revered with awe.
Great Hindustani classical music maestros and legends who have performed, played, sang, or even given music in the India film music include Ustad Abdul Halim Zafar khan(many classical Sitar pieces including the one in Madhuban Me) , Ustad Bismilla khan (played in Gunj Uthi Shahanai) , Pt Ravishankar (music director- Meera), Amir Khan ( singer Mogul-E-Azam), Pt Hari Prasad Chaurasia( music director Silsila) , Pt Shiv kumar Sharma( music director Silsila), Ustad Rais Khan( singer Aao Ge jab tum), Begam Parvin Sultana( singer hame tumse pyar), Panna lal Ghosh ( flute in Basant and music director) , Kishori Amonakar( singer in Drishti and other films – later she regreted singing for films ) , Bade Ghulam Ali Khan(singer in Mughal-E-Azam), DV Paluskar( singer Shapmochan--Kaliyan Sang Karat) Begam Akhatar ( singer Ye na thi hamari kisamat), to name a few.
Up until as recently as two decades ago, having personal training and good knowledge of Hindustani Classical music was a prerequisite to be a music director for films. Not anymore.
As a pioneer of this genre, venturing classical music and raag based songs in Hindi film music, Naushad Ali’s name pops atop. He created all-time hits and master pieces for movies like Baiju Bawara, Kohinoor, Moghul-e-Azam, Saaz aur Awaz, Dil Diya Dard Liya, Mere Mahebub, Ganga Jamuna, Pakiza, and a long list! Every single of his compositions is a gem!
Some of Naushad’s pure raag based compositions are better Bandish than many authentic Gharana’s Bandish. He creatively used flavors of Thumari, Gazal, Tappa, Taan, and aalap in his music in such a way that a layman would appreciate pure classical music without even knowing it!
For Nauashad Saab's raag Malkuns based Mana Tarapata Hari, it is not an exaggeration to say that this song has given identity to raag Malkauns to masses and thousands other bhajans have adopted this tune. What more endorsement and validation an artist can ask for? All thirteen songs of film Baiju Bawara were based on variety of pure classical raag. His composition based on raag Lalit 'Ek Shahenshah..' film Leader, is one of very few good Lalit based songs. Songs of Kohinoor were par excellence! Many movies are successful at box office only because of Naushads songs. Salute to Naushad Saheb for giving Hindi film music ample jewels of raag based songs!
Other notable music directors creating raag based songs are, mainly SD Burman, Khayyam, Anil Biswas, Salil Choudhri, Shankar-Jaikishan, Kalyanji-Anandji, R. D. Burman. We may include LakshamiKant Payerlala with few others, though not as prominent ones. We will discuss them in detail someother time.
As far as singers are concerned, in that era, all were trained in classical music. Starting with the legend KL Segal, we had most singers have sung pure classical based songs. Lata Mangeshkar was trained in classical music by her father since her childhood. She has sung the most songs in most genres, including classical based. Other than Lata ji, the goddess of Indian vocal, and by default the best of the best in all genre, first name comes for classical raag based to my mind is Manna De. One may instantly argue, what about Rafi saab? Agree, Rafi has definitely sung much wider spectrum of songs of variety of genre and is definitely a higher caliber singer than Manna De. No dispute. Rafi was the first choice of voice for the hero due to many reasons including his unique ability to match his voice tone with the tone of the actor. Similarly, Manna was the first choice for classical songs because of his discipline in classical music and had found his own niche.
There is a long list of jewels of classical raag based songs by singers Rafi and Manna, (We will discuss Lata ji in an entirely separate post ). Songs which are memorable are like Manna De’s Laga Chunari me Daag and KL Segal’s Babul Mora based on Bhairavi. Manna’s Zanak Zanak Tori baaje and Rafi’s O duniya ke Rakhwale on Darbari. Manna’s Puchho naa Kaise maine on Ahir Bhairav, and Rafi’s Mana Tarapat based on Malkuns. Rafi’s Madhuban me Radhika is one of the very rare songs based on Hamir.
Most of these songs are more than fifty to seventy years old and will live forever due to the fact that raag based music has an intrinsic power to touch the right chords of hearts (pun intended!) and minds. That power is due the fact that Indian classical raag have evolved by making nectar out of scriptures of SAMVEDA, natural tribal folk tunes, and sounds of the nature. Indian classical music is an ocean of infinite pearls! We will appreciate more jewels in other posts next!
(Indian Classical music based songs in Hindi films: A snapshot: by Vijay Bhatt)

Tribute to a Musical genius and a Bridge builder Pt. Ravi Shankar: by Vijay Bhatt: April 7 ( For Blog Posting)

Tribute to a Musical genius and a Bridge builder Pt. Ravi Shankar: by Vijay Bhatt:
April 7 is birthday of a person who deserves the most credit for introducing Indian classical music to the western world in the way the westerners can understand and appreciate it. This was coming because as a teenager he had traveled to Europe with his elder brother Uday Shankar's dance troop when he was exposed to and appreciated western mindset and western music. He could relate with western classical musicians and collaborated with the western music legends like violin player Yehudi Menuhin and many others. At the same time those elite musicians also could relate with Pt. Ravi Shankar's explanations of intricacies, depth, the process of creativity and improvisations keeping the rules of raag, taal, and the discipline of Indian classical music.
Later, the biggest break through for Indian classical music in the western world came when Pt. Ravi Shankar played Sitar accompanied on Tabla by another Maestro Ustad Alla Rakha (Father of Ustad Zakir Hussain) at the biggest music gathering at Woodstock Festival. The Woodstock Music Festival began on August 15, 1969, as half a million people waited on a dairy farm in Bethel, New York, for the three-day music festival to start. Billed as “An Aquarian Experience: 3 Days of Peace and Music,” the epic event would later be known simply as Woodstock and become synonymous with the counterculture movement of the 1960s.
Since 1960s, Ravi ji and George Harrison of the Beatles became friends and George accepted Pt. Ravi Shankar as his Guru and started learning Sitar and other musical collaborations. Beatles deserves some credit for making Pt. Ravi Shankar a household name for music and Beatles loving westerners.
Whether other Indian classical musicians like it or not, it is evident that before him, no other musician had tenacity to reach out to global audience especially western audience like Pt. Ravi Shankar did.
Pandit ji, keeping intact, the strict theoretical, classical, and traditional framework of pure Hindustani classical music art form crossed the cultural and geographical boundaries and won hearts of millions of open minded global music lovers.
His personal life had been non-traditional, juicy, unlike most traditional Indian Classical musicians, and colorful.
Many Indian musicians take pride by using his name and claiming their association with Ravi ji, no matter how short it was, proves the point about his musical genius and greatness!
His daughter Anushka is a promising sitar player in her own rights, trying to make inroads to establish her and fill in the big shoes left by the legend- Pandit Ravi Shankar ji! We owe the legend an immense gratitude for his services to the Indian Classical music! Namaskar Pandit ji!!!- Vijay Bhatt

Indian Classical music based Songs in Hindi Film: Article-2 Why do we love some songs more than other: Written By Vijay Bhatt for Blog posting and Podcast

Indian Classical music based Songs in Hindi Film:
Article-2 Why do we love some songs more than other: Written By Vijay Bhatt for Blog posting and Podcast
Whether you know music, an avid listener, or music is a background prop in your routine, we all experienced that some songs instantly stick and catches our attention, but not all. Why? The secret is in its 'composition'. Of course, singing is equally important. The singer is the one who carries the composition to us, however, we will discuss singing in the next round.
The tune or the melody, the selection of notes ( Swar) in the melody, the rhythm( Taal), and emotion(Bhaav) combined with many other important elements - is called 'the Composition of a song’. It is all about the 'composition' of a song that plays (pun!) the most 'intrinsic' role in touching the cord of our hearts and minds. Singing has its obvious contribution.
So what is a composition? To know more lets go in the laboratory of music where the alchemist is making golden music! In this lab there are only two types of raw material – Notes and Beats ( Swar and Taal). There are main 7 notes and total 12 notes-SrRgGmMPdDnN.
Beats are typically 2, 3, 4, 5, 6,7 and multiple thereof.
Each raag is made up of a unique set of notes out of these 12 notes. By permutation combination of these 12 notes, there could be about 35000 possible raga, however, only approximately 300 raag are known in practice.
Each raag has ability to create specific emotions (RASA ) and mood (BHAAV).
According to the classical theory, there are total of 9 human emotions ( RASA): peace(SHANT), wonder (ADBHUT) , disgust (BIBHATS), love and beauty (SRINGAR), laughter(HASYA), courage and daring (VEER), sorrow, mercy, apathy (KARUNA), fear (BHAYA),and anger (RAUDRA) and many variety of moods (BHAAV). For example, Raag Todi and raag Shivaranjani offer emotions of KARUNA (sorrow, mercy, and apathy).Raag Pilu offers SHRINGAR, raag Shankara offers RUDRA ( anger), the list for each emotion.
As a painter has specific canvas, colors and shades, a composer has at his disposal- the lyrics as canvas which he wants to decorate using 12 notes, one or more raag, beats, and mood/Bhaav. A composer knows which raag and notes will bring out mood and emotions required.
Let us take some songs and analyze. Jaane Kahan Gaye Wo din song which almost all of us love and shed tears, also Mere Naina Savan Bhado both are based on raag Shivaranjani notes are - SRgPDS’. Here 'g' is called komal (minor) g. Due to this g this raag offers sadness. If this g is changed to G ( major) instead, it becomes raag Bhupali, and Bhupali offers a good mood, Bhakti, and devotional emotions. Look at song Jyoti Kalash Chhlake, an entirely different impact which is based on Bhupali, and so does E Neel gagan ke tale’. What a huge difference a ‘g’ vs. G makes! and the whole mood changes! The composer knows which g/G to reach us!
Another most exploited and utilized raag used in Hindi film industry is raag Yaman. This raag has such a strength that if used skillfully, it offers many varieties of emotions.
Songs like Chandan Sa Badan offers beauty, Bhuli Hui yaaden, Ansu, bhari hai, and Saarangaa teri..offer sadness, Abhi Na jao and Jab deep jale offer love… and the list of emotions goes on. If you examine carefully, each of these songs offers different emotions. That is the reason Yaman is very valuable in a composer’s toolbox to make catchy compositions for different moods.
Another most popular raag is Bhairavi. This raag has all 11 out of 12 notes, includes all komal notes at the disposal of the composer. This raag is considered to be the queen of all raag. It has so much of potential to bring out kaleidoscopic flavors and emotions. This raag has almost all the emotions hidden in it. depending upon how well the composer wants to use it.
Sad songs like Babul mora, and rhythmic Laga Chunari me daag, or love song like Barsat Main tum se mile, or great melody like Man bole mera tan dole, Yaad me teri..and list of thousands of songs close to our hearts are based on Bhairavi.
Thus, each raag and its notes have unique impact. It is up to the composer to use the ingredients artistically to make a home in our heart! Though there are no specific rules, usually komal notes ( minor notes) , as the word komal reflects, offer softer and deeper emotions. Slower beats offer less enthusiasm than faster beats. Usually Taal Kaharva (4 beats) is used for a jovial mood. For sad and serious moods Taal Dadra ( 6 beats) or Taal Rupak (7 beats) are used.
It is entirely up to the creativity and imagination of the composer who has an intangible God given gift which is called 'aesthetics of music!'. Not all musicians are blessed equally with this gift.
Making a good composition in Indian music is more intuitive, imaginative, improvisational, and abstract rather than a methodical step by step defined process.
A combination of creativity with aesthetics adds to making heart touching compositions. – Written by Vijay Bhatt for Blog posting and Podcast.

Father's Day

Please take this in a lighter mood.
Dear all sons (including myself) and daughters of great fathers ( who are being felicitated today):
( The following applies to me equally or more so)
Let us all convene just after three four weeks. Let us compare notes. About the very attributes we are praising for our fathers today,how many of us have tried to implement in our own lives since after Father's Day?
What exactly we did to make a difference in the world for those small kids who lost the blessings of having a firm hand and cool shadow of a father?
What did we do to take to the next steps from where our father, and becoming better father or better mother, than them.
One other point: a father does not necessarily mean only our biological father.
A Father to me is a person who held our hands when we were learning to walk or stumbled..( in any walks of life).
A Father to me is a person who taught us how to keep our head up even if we did not succeed, and taught us to prepare for the next challenge.
A Father to me is a person who taught us how to take responsibility.
A Father to me is the one who did not spend money on himself and spent for my better future.
A Father to me is the one who had one eye with love and other eye with stern discipline.
A Father to me is the one who treated me as a child till I was 16 and as a friend later.
A Father to me is the one who did not show what difficulties he faced in getting things that I should have by not getting things that he did need.
A Father to me is the one who was always happier seeing me doing better than him.!
It started when I grew 0.05 inch taller than him!!!!
PRANAM to all fathers!s

Your net worth

 “Our net worth is ultimately defined not by dollars but rather by how well we serve others.” - Paul Allen Co-founder of Microsoft and great philanthropist said as the earliest signer of Giving Pledge.

Recommending a movie: Chopsticks

Chopsticks- A Netflix movie. What a refreshing plot! It is funny and entertaining with a unique angle.
For a change this Indian movie has no male protagonist nor a female protagonist. The lead role is a timid naive girl next door who is very skilled and determined but lacked street smartness. I loved the direction for not having any song or any extravagant, mass appeal targeted filming. The flow of the story at times funny but captivating.
Mithila Palkar reminded me of Amol Palekar in a female role! Abhay Deol is good in his role. I am sure Mithila will be viewed in the same league as Taapsee Panuu.

I enjoyed this movie as a good Saturday afternoon entertainment.

Tagore: The Gardner

I highly recommend read collection of poems 'The Gardner' by Tagore. You will realize why Tagore is so cherished by all poetry and literature lovers.

In preface of 'The Gardner' Tagore said-
"Most of the lyrics of love and life, the translations of which from Bengali are published in this book, were written much earlier than the series of religious poems contained in the book named Gitanjali. The translations are not always literal—the originals being sometimes abridged and sometimes paraphrased." Rabindranath Tagore.

Here is the first poem of the collection. The original name of the poem in Bangali is MALI.-
-----
SERVANT. Have mercy upon your servant, my queen!

QUEEN. The assembly is over and my servants are all gone. Why do you come at this late hour?

SERVANT. When you have finished with others, that is my time. I come to ask what remains for your last servant to do.

QUEEN. What can you expect when it is too late?

SERVANT. Make me the gardener of your flower garden.

QUEEN. What folly is this?

SERVANT. I will give up my other work.
I will throw my swords and lances down in the dust. Do not send me to distant courts; do not bid me undertake new conquests. But make me the gardener of your flower garden.

QUEEN. What will your duties be?

SERVANT. The service of your idle days.
I will keep fresh the grassy path where you walk in the morning, where your feet will be greeted with praise at every step by the flowers eager for death. I will swing you in a swing among the branches of the saptaparna, where the early evening moon will struggle to kiss your skirt through the leaves. I will replenish with scented oil the lamp that burns by your bedside, and decorate your footstool with sandal and saffron paste in wondrous designs.

QUEEN. What will you have for your reward?

SERVANT. To be allowed to hold your little fists like tender
lotus-buds and slip flower chains over your wrists; to tinge the soles of your feet with the red juice of ashoka
petals and kiss away the speck of dust that may chance to linger there.

QUEEN. Your prayers are granted, my servant, you will be the gardener of my flower garden.

GUTENBERG.READINGROO.MS
To W. B. Yeats Thanks are due to the editor of Poetry, a Magazine of…

Review of Indian Film Photograph by Vijay Bhatt 7-19-19

Review of Indian Film Photograph by Vijay Bhatt 7-19-19( For Blog posting):
Watched Photograph. We all enjoyed The Lunchbox by Ritesh Batra earlier. so I had some and similar expectations which I will leave up to you to decide for yourself. Slow pace of movie as if the director is in no rush to tell you the story. Characters are trying to say more by their eyes than their words. Part of story is left for the viewer's interpretation, which is good direction for some and not so for many. Here it could be a test of some viewers' patience.
The unusual plot is around a street photographer, Rafi, who works as an Instant photographer for tourists visiting Gateway of India near Taj. He takes Meloni's instant picture but she leaves before he can give her her photo.
His grandma in village is eager for him to find bride. In keeping her grandma happy and tricked by sending Meloni's picture as his future bride. Granny loves the photo and wants to visit Mumbai and meet the girl. He tries to find Meloni to convince her to fake and 'act' as his future bride and story goes on.
Meloni is a quiet, introvert timid girl, a CA topper.
Unlike other funny movies by kinds of Hrishikesh Mukharkjee, where there is an obvious comedy of errors and a likely predictable romance, here the movie displays the unlikely bond being created between the two individuals who have nothing in common, with fewer words and seldom direct interactions. The end is left to the viewers creativity.
Having said that, this film certainly will not get much mass applaud in Indian sub-continent but may get in film festivals from modest art house audiences internationally for obvious reasons. Nawazuddin Siddiqui is brilliant at his role as always. Sanya Malhotra acted superbly in her role as a timid, introvert but smart girl. Cinematography is very effective in showing Mumbai's typical fast life with the natural or low lighting of day and nights of streets of Mumbai.
Watch if you are an art movie type who enjoys the burden of listening to the silence between two sentences.
Review of Indian Film Photograph by Vijay Bhatt 7-19-19( For Blog posting):

Tuesday, July 9, 2019

Quote by Paul Allen

, “Our net worth is ultimately defined not by dollars but rather by how well we serve others.” - Paul Allen Co-founder of Microsoft and great philanthropist said as the earliest signer of Giving Pledge.

Review of a Bollywood movie Chopsticks:

Chopsticks- A Netflix movie. What a refreshing plot! It is funny and entertaining with a unique angle.
For a change this Indian movie has no male protagonist nor a female protagonist. The lead role is a timid naive girl next door who is very skilled and determined but lacked street smartness. I loved the direction for not having any song or any extravagant, mass appeal targeted filming. The flow of the story at times funny but captivating.
Mithila Palkar reminded me of Amol Palekar in a female role! Abhay Deol is good in his role. I am sure Mithila will be viewed in the same league as Taapsee Panuu.
I enjoyed this movie as a good Saturday afternoon entertainment.

Review of a Gujarati movie Reva: ( Written by Vijay Bhatt for Blog Posting July 2019):

Review of a Gujarati movie Reva: ( Written by Vijay Bhatt for Blog Posting July 2019):
Finally, I got to watch a well-received Gujarati movie Reva.
Reva is based on TATVAMASI (तत्त्वमसि), an acclaimed novel by one of the finest poets and writers of contemporary Gujarati literature, Dhruv Bhatt. I had read Tatvamasi years ago. I loved the novel’s the spiritual, cultural, mystic, and social undertone. It is one of the remarkable Gujarati novels of recent times.
The screenplay is written by and directed by Rahul Bhole and Vinit Kanojia. Music by Amar Khanda, Cinematography by Suraj C Kurade.
The movie makers must have their own reasons to change the name to Reva, meaning river Narmada. I would have kept the same name as that of the book’s- ‘Tatvamasi’. तत्त्वमसि means (तत् त्वम् असि) – That is you!, It has many meanings and connotations like - it is very near you, in you, It is right near in you, right around and in you. The title tells a lot!
The movie is focused around river Narmada's mystical and spiritual connection with people who consider her as holy and most sacred form of divine mother and Goddess. They feel her blessings and presence with them all the time and within them. The movie is about conflict between mystic faith and non-religious rational thinking of a youth of modern times. The protagonist, rightly due to his background, is a typical young material minded capitalistic NRI who wants his claim on inheritance left by his grandfather. His grandfather has left all estate to a spiritual charity called Narmada Ashram, which is run by trustees. He comes to India to get signatures of the trustees so he can get the inheritance. The story is about his experience, transcendence, and realization of Reva on the banks of Reva. He witnesses and experiences unconditional love, faith, and dedication for divinity and virtual presence of Reva, the Goddess-like stature of river Narmada with the mysticism and spirituality around her.
There are few observations I must make. The film’s many non-Gujarati including a Gujarati singer Kirtidan Gadhvi, did good. Some important characters are non-Gujarati. At times, the female protagonist Supriya’s sari is relatively (‘BHAARI’- for the lack of a better word) fancy, and heavy necklace and ornaments look a bit odd (not a negative). Little simpler costume could have been more in-sync with rural set-up. It irritates when Gujarati actors emphasis SH, like in drama. Karan’s English pronunciations do not reflect his long stay in US ( not a negative).
Chetan Dhanani’s role as Karan carried very well for a debuting actor. Monal Gajjar as Supriya is worth admiring for her expressions and poise in her role. Acting of all characters including lead roles did very good justice to their characters.
We have always had low expectations of Gujarati movies due to the fact that for the last fifty years Gujarati movies have always been folk oriented and rural culture based of religious themes.
In contrast, this movie stands apart tall and laud!
I give a lot of credit to the original author Dhruv Bhatt for a brilliant theme of connection between human beings and the nature via the river Narmada and the connotation with PARIKRAMA.
Music is well done, having said that, the music director had an opportunity to make a big mark. Remember what Ismail Darbar did in Hum Dil De Chuke Sanam, which also had Gujarati backdrop. Imagine if Sanjay Leela Bhansali made this Gujarati film. May be more of Limbudaa, Dhol, Mor Thangaat and more! (just a crazy thought!)
Good cinematography, excellent direction, and justifying acting by all actors. A must watch! Please read Tatvamasi as well! I give 9 out of 10 especially and only because it is a Gujarati movie.
- (Written by Vijay Bhatt for Blog posting July 2019)

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